Perhaps some of you guys can help answer a few questions for me. I’m somewhat a n00b to this whole fantasy/sci-fi thing. I took a class on it last year at my university, and I’ve been somewhat interested in the genre since. A few things have bugged me while reading through the most popular books and series in this genre, however: the absence of race issues.
Okay, I’ll admit, it’s probably the fact that I am a sociology major that I noticed this, but I cannot be the only one. As far as I can tell, in just about every fantasy/sci-fi novel I’ve read, the human race = white european. The ONLY exception (other than Phillip K Dick, who I’m not going to deal with here because I think his books are almost on a whole other plane of literature) to this rule I can think of is in Frank Herbert’s first Dune book, a book which I think breaks a lot of the molds I’m going to discuss. I think it’s pretty obvious that the Fremen in Dune are supposed to represent arabs, and I think the book does a pretty good job of dealing with race prejudice and other issues surrounding the time, such as oil and drugs. But in no other novel can I think of where there is even a hint of a black, latino, asian, indian, arab, islander, or any other group. Humans are white.
‘So what?’ you might be saying. ‘Fantasy is escapism - it doesn’t have to deal with these kinds of issues. In fact, I wouldn’t read fantasy if it did, because it’s the only genre of books where I can go to escape these issues.’ Fair enough, but I think fantasy has become a lot more than pure escapism or a glorified romance novel in the last decade or two. Whereas perhaps the genre was confined to select groups of white, renassiance faire attending university students and other such types for many decades since the 50’s, fantasy/sci-fi is quickly becoming mainstream. If the huge-budget, immensely successful, award-winning Lord of the Rings movies are any sign, fantasy is escaping its underground roots. Everyone everywhere is reading the lord of the rings, harry potter, and to a lesser extent The Wheel of Time. The problem here is, how long can such a genre’s popularity last if it continues to escape pressing issues of the day? How long before people give up, saying every fantasy world is just the same old boring, old-europe recreation (just look at the map of wheel of time. it’s europe). Why is it such a stigma to bring in some diversity into these worlds?
Perhaps, you might say, it would detract from the ultimate good vs. evil story if you were to input diversity into an already shattered europe. The good vs. evil story would have to be downplayed to make room for the inevitable clashes of the race. But I ask then, why must diversity = dischord? Does a fantasy world have to be so like ours that two people of different color could never hope to get along? Is not fantasy an altered form of utopian literature? Perhaps the worlds created by these authors are not utopias in the traditional sense, but is not the underlying moral of most, if not all, fantasy stories the idea that good triumphs over evil, that humanity ultimately comes together, depite all odds, to defeat the greater evil? Why could fantasy novels not use this idea as a springboard to further ideas about race equality, or even gender equality (I’m surprised at the number of women who like The Wheel of Time. Robert Jordan has probably the worst portrayl of women since Ernest Hemingway)? Hell, why does every fantasy story have to use the same cliche of light vs dark, as if it were impossible to conceive that, in another universe, darkness was good and light was evil? Why must we further the same cliches, the same prejudices? Are we so far gone that we cannot imagine two people of different color cooperating even in another universe or dimension?