To be frank, I’m getting very tired of this but…
Yes, any sort of analysis of anything, particularly anything meant to entertain, will be charged with subjectivism. Even within a single genre, different people will like and dislike different.
But is it entirely so? I respect the value of personal opinion, and will not just bang on someone and try to force my views on them, but even if you can’t justly define what is “good”, you can sure as hell tell when something is very bad. There is such a thing as rushed development, lack of development, out-of-character behavior in writing that can’t simply be explained by “this is how the writer intended”. Shitty writing exists in a fairly analyzable manner. The same way a fighter game can be unbalanced allowing for a few cheap tricks to be used eternally, there ARE empirical quantifiable factors in any production. Subjectivism comes to play when the subject in question is over the grey line over which only opinion goes either way. You can tell me you prefer 2D fighter to 3D for so and so reason, but you can’t tell me that using Sub Zero’s freezing move+uppercut over and over in MK3U was an “intended feature” and “up to the player’s preference”. It was a blaring fuck up in design, period.
I loved BoF, one of my favorite games. It’s also among the worst RPGs I’ve ever played. It’s dry, lacks story, the characters barely even speak, the boss is one-dimensional and the gameplay has some very awful flaws (Fuck you, Second Wave). I loved it, but if I take an objective look at it and try to find it’s strong points, I’m left blank. There IS a fanbase to it, but I’ve yet to see anyone come up with any form of justification for it.
I’ve heard people speak wonders of Saikano as a tragedy. I’ve seen it and read it, and the narrative does a great job at showing the sadness of the situation. I also hate it with passion as I mostly watch this shit for amusement and don’t want to be left with my heart in pieces when I’m doing something for fun. It does it job wonderfuly, but it’s the polar opposite of what I like.
Recently, Gurren-Lagann is just about my favorite show. It’s awesome and very entertaining if you are into over-the-top stuff. It’s also tremendously silly and predictable. Seriously, you can tell what’s going to happen from a mile ago. It has absolutely zero redeeming value for anyone who might not be into Super Robots and Shönen.
You are saying that all analysis is subjective… then why are you even bothering to speak? Why would you even bother to talk about something with someone else, or why would any such discussion take place? Because there IS a level of objectivity present. The most common (civil) answer to these discussions is “yeah, I can see how that could be but I still like it” or “no, I don’t see it”. The first answer DOES occasionally occur, and that is because, even if they may not be determinant, there are some points which can be seen on an objective light, even if one’s opinion is still not swayed in any form.
Which brings me back to the one thing that matters in all this mess: If opinions might vary with a single genre, what do you expect in a crossover? If one person doesn’t like tragedies and loves comedies, you can get him the most masterfully created tragedy and he’ll still shove it aside. The vital point f all this: Saying Eva is “The Best Anime Ever” is a huge blunder, as not only you have to justify it being the “Best Sci-Fi/pshychological mindfuck Anime Ever”, but anyone whose not into that kind of story will ignore it completely regardless. “Anime” is not a genre, it’s a medium.