Comic Book Crossovers: A Retrospective

The Death of Superman was one of my favorites despite not being able to fully read it all. (Or comprehend it much until years later.) If I remember right, they even had a game about it on the SNES. And yeah, you’re right about the animated movie. It’s not really that good, and after watching the animated Superman series before, it kinda pisses me off with the difference in voices and look. (Though it’s one of the few DC movies I’ve watched where they’ve had people killed. Made it look pretty dark even though that’s reality.)

Also made me think Supes was a hypocrite because of the ending where he goes and kills his clone. I thought he wasn’t one to kill living beings. Sure didn’t have any qualms about getting rid of his clone…

The Death of Superman was one of the first crossover titles I ever read, and even though I never managed to finish the damned thing, it was still pretty impressive for the time. And yes, I was a dumb enough kid to think they would really kill him off. (I was, what, seven? Give me a break!)

Actually, I remember reading something about the series a few days ago. If you look at the four replacement Supermen, they all embody different attributes of the horrific period known as the 1990s. The Cyborg Superman was a cold, detached half-man half-machine that was actually a villain. The Eradicator was a few degrees away from being a superpowered Punisher. Superboy was a punk teenager that acted out against the establishment. Steel was an actual hero in many ways, but still had no powers and used a big sledgehammer.

If put in that context, it’s almost like DC was flipping off everyone that claimed Superman was out of touch with the rest of comics, by showing how his powers and such would NOT work with any other type of character. Superman may be the “Blue Boy Scout,” but that’s not a bad thing. When you consider how the general media likes to make things as angst-ridden and depressing as possible, with morally ambiguous characters and disgusting heroes, it’s even more important to have even a fictional hero that actually stands up for his beliefs.

In short, Superman doesn’t need to be Batman to be relevant. And now, I will go to bed.

The justice league animated series was what made me feel truly sympathetic to Superman. After all, in his own words, “Living on earth is like me living in a world made out of cardboard. I have to treat everything like the most fragile thing, to keep from breaking it./” And then, he let loose against Darkseid with all his powers, and it was awesome.

I really think people are too quick to defame or insult superman, jsut because they can;t really comprehend what it must be like to be him. Hell, maybe it’s because he IS so powerful, is the only reason he can be so good. After all, how many evils in this world are caused because someone who normally feels helpless, comes into the slightest bit of power?

Gallo: You’re right in that at least part of the purpose behind the Death of Superman was to show readers how Superman just wouldn’t work as the more modern type of hero that was gaining popularity back then. Only Steel was a worthwhile successor, and probably only because they felt that not all of the “Pretenders” had to be dicks. (On the other hand, he was African American- though it was not obvious because of his armor- so maybe they were being a little P.C. there. Not that I mind.)

V: Indeed, that fight scene in Justice League point out perfectly what it is like to be Superman from HIS POV. This has been explored in stories before, but it isn’t done enough these days; my favorite Superman stories are always the ones where he has to weight what he can do versus what he SHOULD so. It pisses me off that many writers today say “Superman is hard to write, because he can’t be hurt”. Talk about missing the point.
:thinking:

EXTRA STUFF: Some things I forgot to mention above:

-Superboy was not an ACTUAL clone of Superman; remember that they couldn’t even scrape his “dead” body’s skin for a DNA sample. What they did was modify somebody else’s clone (the Cadmus Director’s, as it later turned out) to LOOK like Superman and to have an approximation to his powers (he doesn’t have supervision, for example.) The plan was to use the clone to trick the public into thinking Superman had revived, but to secretly be under the Government’s control; but some of the other Cadmus clones freed him before he was finished growing, therefore being only a Superboy. Years later, however, they changed this, and claimed Superboy not only DID have Superman’s DNA, but it had been combined with- Lex Luthor’s!? I guess Superboy Has Two Daddies. :stuck_out_tongue: I think that was a stupid, pointless reboot, not that it matters anymore since they killed him off when DC comics lost the trademark to the Superboy name. (More on this later.)

-Parts of this storyline had already been adapted for the Justice League cartoon before they made the animated movie. You can see Doomsday in the episode with the Justice Lords (there, it was created by Cadmus) (episodes: “A Better World” and “The Doomsday Sanction”) and you can see a funeral very similar to the comic’s held for Supes when they believed the Toyman had disintegrated him (episode: “Hereafter”.)

As great as the Justice League cartoon was, my biggest beef with it was their version of Doomsday. What Doomsday is is destruction personified, as mindless, brutal and unstoppable as a force of nature. Having him not only talk but be (seemingly) somewhat intelligent seems to go against the spirit of the character.

THE INFINITY CRUSADE (MARVEL, 1993)

Author: Jim Starlin (writer), Ron Lim (artist)

Synopsis: As you recall, Infinity War ended whit the “Cosmic Containment Units” used by the Magus being stolen by Adam Warlock’s good side, which was female (!) Infinity Crusade shows us what we she was up to with them.

Calling herself “The Goddess” this (supposed) being of pure goodness (see my comments below) had one goal: to destroy ALL EVIL! This made sense for someone like her, especially when she had so much power. She had gone on to find more CCUs from various universes, until she had 30 (!) There was a problem, though: the Units were actually the “egg” forms of certain Cosmic Entities, and while their reality-changing power could be used by anyone who touched them, they still had certain self-imposed limits. However, it would be possible to overcome those limits if enough will was applied against them. But it would take the combined will of ALL beings in the universe to do so! Thus, the Goddess set out to obtain just that.

First, she eliminated a potential threat, by stealing Thanos’ Reality Gem (the Infinity Gem Warlock had given him for safekeeping) AND using it to trap him into a kind of “reality warp.” She also sent Warlock to another dimension.

Then she used the units to create “Paradise Omega” a planet located on Earth’s orbit but on the opposite side of the sun. (Note: this is the same location where, years before, the planet Counter-Earth had been created by the High Evolutionary. It had since been removed by Cosmic Beings who put it in a museum (!) Counter Earth had been the location of Warlock’s first adventures, which were suspiciously similar to the life of a certain Messiah. He was even crucified there! It makes sense that his god-complex side would create her base there.) Then she began luring Earth’s heroes –those who had religious beliefs- to her side, telling them her goal and convincing them to join her cause. Most accepted, apparently of their own free will. However, actually they were being influenced by an effect generated by the Goddess using the CCUs, that caused those with religious faith to become fanatically devoted to her. This same effect was causing people to become non-violent on Earth, and some villains actually surrendered to the authorities! (Apparently, how much you were affected depended on your personal strength of will; the Nazi villain Baron Strucker, for example, was able to resist.)

Reed Richards (Mr. Fantastic of the Fantastic Four) was able to detect this effect (using his inventions) and correctly deduced that it was the cause of two of the team’s members (Invisible Woman, who is a Christian, and The Thing, who is Jewish) joining the Crusade. By following the superheroine Aurora (of the Canadian superteam Alpha Flight) whose split personality as a nun was attracted to the Goddess, he was able to find Paradise Omega. Despite the planet’s heavy defenses, he was allowed to land there. He asked to join the Crusade, but the Goddess realized he did not really trust her and she transported him back to Earth. Reed then began organizing Earth’s heroes against the Goddess’.

The Goddess nominated Moondragon (of the Infinity Watch, who, along with Gamora, also of the Watch, had also “joined” the Goddess) to lead the heroes while she retreated into the Cosmic Egg (formed from the combined CCUs) to begin spreading its influence across the universe. Moondragon proved to be a fanatical leader; using her telepathic powers –greatly increased by the Mind Gem- to both spy on Earth’s heroes (She struck down Professor X when he tried to telepathically contact her, leaving him in a coma) and to force those members of the Goddess’ army who were staring to show doubts –such as Spider-Man- back in line.

Meanwhile, Warlock returned to the universe and sought out Thanos, rescuing him from the trap Goddess had put him in. They started to plan what to do, when the demon lord Mephisto –an old acquaintance of Thanos- showed up and offered to share the information he had on the Goddess’ plans with them IF they swore to give him one of the CCUs after the battle was done. Warlock disagreed but Thanos accepted. (You know, they could have pointed out that, since the Goddess was planning to destroy ALL evil, Mephisto had no choice but to help them, or his goose was cooked. :wink: Mephisto then revealed the part about the Goddess needing the combined will of all the universe’s thinking beings –which she was slowly getting by spreading her “good” effect across space- to force the CCUs to do her will. However, since evil is a result of free will (as is good) the only way to end it would be the END the choice- which the Goddess intended to do by DESTROYING ALL LIFE IN ALL UNIVERSES!! (Geez, talk about fanatical!) THAT was her ultimate plan, which of course she hadn’t told her anyone. Not that they were likely to believe Thanos and Adam, especially if they told the heroes they had found out from Mephisto.

Meanwhile, Earth’s “unconverted” heroes attacked Paradise Omega. With help from the Silver Surfer (who had been converted, but eventually managed to throw off the control) they broke past its defenses and battled the controlled heroes. Pip the Troll (of the Infinity Watch) using the Space Gem, teleported to the Cosmic Egg, and actually managed to use it to turn the Goddess into a pillar of salt! (How Biblical.) Unfortunately, he spent too much time thinking what he would do with his new near-infinite power, and the heroine Silhouette (of the New warriors) who can also teleport, sneaked on him and knocked him out, restoring the Goddess to normal.

Meanwhile, Thanos, using the comatose body of Professor X as a conduit, tried to attack the Goddess mentally, but she resisted the attack. However, Warlock had come up with a plan. Since one of the taboos of the Cosmic Units was that they would not directly affect souls, Warlock had given his Soul Gem to Thanos and told him to use it to absorb Adam’s soul with it (he did not tell Thanos his full plan, probably so that the Goddess or Moondragon would not find it out.) Within the Gem, Warlock encountered his evil side, the Magus, who you might recall was imprisoned there at the end of “Infinity War”. Warlock asked for his help but Magus just attacked him. Thanos later used the Gem to send Adam’s soul against the Goddess, since the CCU power would not stop it. However, it seemed too late- a Cosmic Flame came out of the Goddess, consuming EVERYTHING in all realities- (even, supposedly, the people reading the comic itself! :stuck_out_tongue: ) BUT, it proved to be only an illusion, caused by Adam using the Cosmic Units, in order to reveal the Goddess’ plan to everyone. This shocked everybody back to normal. Warlock then fought with his “good” side in the Astral plane, defeated her, and imprisoned her within the gem as well (where she, like Magus, could not be seen or heard by the other spirits inside- except, ironically, Magus, though even he couldn’t touch her.)

Warlock’s spirit returned to his body, and everybody returned home (with the formerly converted heroes hugely disappointed, I imagine.) Thanos then used the CCUs to destroy Paradise Omega (and the units themselves). Oh, he DID keep one, to give it to Mephisto as promised. Naturally, the first thing the demon did with it was to wish Thanos dead, but nothing happened- the cube was drained of all power! “You did not specify you wanted a WORKING unit” Thanos mocked. :stuck_out_tongue: Mephisto departed swearing vengeance, not that Thanos was intimidated at all.

My Opinion: I was partially let down by this story. The idea of an utterly-good being on a quest to rid ALL universes of evil was an interesting one. But it was obvious from the start that the Goddess was just played as a villain, from the way most of her thralls acted. Besides, in my opinion, Goddess could NOT possibly include all of Warlock’s good- if she did, not only she would never have considered destroying all Creation, but if Warlock had no good left within him, he wouldn’t have cared about anybody, either. That was obviously not the case. (Warlock did find out during the story that Goddess was actually insane, as a result of his repressing his feminine side all those years. Ouch.) Still, IC was good in that it helped us find out the religious beliefs of many of Marvel’s characters, some of which had not even been hinted at before. The individual tie-in issues also played with the story’s events fairly well, for example, in Iron Man, who had a back-from-the-dead experience once, which made him more spiritual, but ultimately he was too materialistic to follow Goddess. Of course, everybody just went back to their lives soon afterwards, as if nothing had happened. You’d think they would dedicate a few issues to dealing with this kind of deep spiritual disappointment -for some of the characters, this was The Rapture taking place- but then again, this kind of thing doesn’t really work well in superhero comics, who tend to resolve everything with force.

My Rating: Average, which, it being another Infinity Gauntlet spinoff, was disappointing.

Next: DC tries to create several new heroes AND introduce a (disgusting) new menace (think: Aliens) in the crossover series, “Bloodlines!”

BLOODLINES (DC, 1993; two-part miniseries)

Authors: Dan Raspler (writer), Chuck Wojtkiewicz and Sal Velluto (artists)

Background: Bloodlines was another All-Annuals crossover; this time, the story ran on the annuals first, and THEN concluded on a two-part miniseries titled “Bloodbath” (but Bloodlines was the official name of the whole crossover, as indicated by banners on the cover of every title involved.)

The point of the story was to create new heroes for the DC Universe in one sitting. It also apparently wanted to mine the popularity of the ALIENS movies, since the monsters used here are blatantly inspired by the Xenomorphs, right down to being buglike and feeding on their prey by using the “mouth-within-a-mouth” thing (ugh.) DC had already had crossovers with the (original) Aliens, such as (I kid you not) “Superman versus Aliens”. (Those stories are not, however, in-continuity, as DC doesn’t own the rights to the ALIENS characters; in fact it was a crossover done with Dark Horse comics, who at the time were publishing licensed ALIENS comics.)

Synopsis: The alien race in the story is never given a specific name, only referred to as “parasites” which is a misnomer, as (unlike the Aliens) they did not incubate inside humans; instead, they fed on their spinal fluid (gross!) killing them; this makes them predators, not parasites (but go argue correct science with comic book writers, huh?) However, if they bite a human with a latent metagene, the victim would survive and develop superpowers. The aliens DID have personal names, all of whom were gibberish so I don’t recall them. (Check Wikipedia.)

Anyway, these aliens come from another dimension, where supposedly they had already caused the extinction of the local humanoid race; the only survivor was Pax, a shaman type character. Somehow, they escaped to Earth (I didn’t see most of the Annuals involved, so I don’t know the full details; if anybody knows, corrections are welcome.) Pax follows them to warn our universe. However, the aliens (of whom there were seven- I’m not certain, but I read somewhere that they were supposed to be patterned after the seven sins eg. Lust, Greed, etc.) have the ability to assume a human form, so they infiltrated many Earth cities such as Metropolis and Gotham.

The story in each annual was pretty much the same: One of the aliens starts killing people, one of whom turns out to be a metahuman. A established DC hero arrives to fight it, is helped by the metahuman (who is now a new superhero) but the alien escapes in the end.

Finally, in the Bloodbath two-parter, the seven aliens get together- and merge into a single, giant monster, “The Taker”- this is apparently how they reproduce (making the Taker a stand-in for the Alien Queen.) Several DC heroes attack it only to be absorbed within its body! But they’re saved –of course- by the parasite-created heroes, who call themselves “New Bloods”. I missed the ending, but I heard that it turns out the New Bloods had a “special link” to each other and the Parasites, which they used to destroy The Taker. With the absorbed heroes none for the worse, of course. Pax then returned to his own universe.

Consequences: …Not many, honestly, and certainly not as many as DC wanted. Several of the New Bloods were given their own series (including a Team Book called “Bloodpack”) but all were soon cancelled (and with good reason- most of these characters were forgettable, even lame.) The only exception was Hitman, whose series lasted like 60 issues, but that was due to the fact it was mostly an irreverent series about a not-really-that-bad assassin who went around snarking on the DC universe and comics tropes in general (it was written by Garth Ennis of “Preacher” (in)fame, whose disdain of superheroes and their fans has never been hidden.) I found Hitman quite lame, but some comics fans like that kind of character. I hear they killed him off in the last issue, probably so nobody else could get to “play” with “Ennis’s” character (and risk making him a gasp REAL hero.)

Most of the other New Bloods are either forgotten or dead now; several were killed during the “Infinite Crisis” crossover as part of DC’s new “kill off useless characters while adding to the gruesome content” policy. More on THAT later…

As for the Parasites, they have never been used again (until recently, anyway.) One JLA story had astronauts possessed by more parasites from the same dimension, but these were another species, or at least a different stage of their growth (larvas?) Also a recent Outsiders story had a surviving Parasite being enslaved by criminals and “forced” to create metahumans for a prize (even if most of the ‘clients’ got killed in the process.) That story was interrupted by a current Batman crossover, so it’s unknown how it ended yet.

My Opinion: Well, it was nice of DC to try to come up with new characters. But for some reason, these “done all at a time” introductions never work; a similar failure happened in another DC annual crossover years later, where new heroes from other countries were introduced- most of whom have never been seen again. For better or worse, creating good characters is still a hit-or-miss thing.

Ripping off the Aliens franchise to such a degree didn’t help, either; it looked unoriginal, as if DC were desperate to mine into their popularity. The whole spine-sucking thing kept me from buying the crossover. And honestly, the Parasites weren’t that interesting anyway. Even the title of the series is a rip of sorts, since heroes and groups with the word “Blood” in their name were common in comic books in the 90’s.

My Rating: Mediocre story + unoriginal menace + lame new characters = Poor Story.

Next: When Marvel decided to make Venom a hero (!) they created Carnage to be the “New Venom”. What happens when this psychotic killer decides to get his own “family?” You get “Maximum Carnage!”

Sorry it’s taken me a while to continue this, I’ve been busy. Anyway, here’s my review of:

MAXIMUM CARNAGE (MARVEL, 1993; 14 parts)

Authors: The editor, writers and artists of all the Spider-Man titles (in 1993)

Background: This is another “only within the same character’s comics” crossover, like the Superman ones I reviewed above, so it almost DOESN’T count as a real crossover- except it DID feature several heroes that Spider-Man doesn’t always hang out with, so I decided to include it here. It is, in effect, the first "street level” major crossover Marvel ever did- despite the many heroes and villains involved, the world was not in danger, only New York City.

As mentioned above in the Secret Wars review, Spider-Man’s new costume, which he had obtained in another planet, turned out to be a blob-like alien symbiote; he ditched it when he found out, only for it to bound to, of all people, one Eddie Brock, a reporter who had issues with Peter Parker, creating the villain called Venom (despite not having any actual poison powers.) This is very well known now thanks to the third Spider-Man movie. Less well known is that Marvel decided to turn Venom into a HERO (well, anti-hero) apparently for no other reason than he was very popular (this was at the time when characters like the Punisher got their own series, for the same reason.) At least Punny never wanted to eat people’s brains. That I know of… (Note: for all his claims to want to do that, Venom never ate anybody. At least, not until recently, and it was actually another Spider-Man villain, The Scorpion, wearing the symbiote, who did it.)

Anyway: with Venom now a “hero” Marvel decided that they needed someone similar to replace him- that way, they could have their cake AND eat it. Thus, they created Carnage.

While Brock was in jail, his symbiote “spawned” an offspring- a blood-red symbiote. This one attached itself to another prisoner- Cletus Kasady, a serial killer, who became known as “Carnage". For some reason, Carnage was actually STRONGER than Venom or Spider-Man, forcing the two enemies to cooperate to bring him down. In the end, the new symbiote was destroyed and Kasady was captured.

Synopsis: There’s surprisingly little story here for a 14-part event. Basically, Kasady was imprisoned in Ravencroft, which is Marvel’s version of Arkham Asylum. It turns out, however, that Kasady had gained the power to recreate his symbiote at will (how convenient) and simply escaped later. He did, however, free some of the other criminally-insane patients as well: The Shriek, a woman with a supersonic scream; Demogoblin, a demonic version of The Hobgoblin (created during the Inferno! crossover), Doppelganger, a monstrous, six-armed version of Spider-Man created during the Infinity War; and Carrion, another Spider-Man foe who (originally) was an altered clone of the Jackal, but was later retconned into being somebody altered to THINK he was a clone (long story.) Not only did Carnage team-up with these villains to pursue their mutual enemies (Spider-Man and Venom) they also set out on a killing spree across NY City. And, for some reason, they decided to form a ‘family’ with Carnage as the “father”, Shriek as the “mother”, and the rest as the “kids”. (Well, ALL of them were crazy, to one degree or another.)

The two heroes would have been outnumbered, except other NY crimefighters happened to notice the chaos and joined them in the battle. These were: Captain America; martial artist Iron Fist; Black Cat (a Catwoman rip-off who once romanced Spidey; you may remember her from the Spider-Man cartoons); Cloak and Dagger (teenagers with the powers of Darkness and Light, respectively); Morbius the Living Vampire (yet ANOTHER ex-Spider-Man foe turned hero; he even had his own series for a while); Firestar (of Spider-Man and his Amazing Friends fame- though in the comics she wasn’t associated with Spider-Man OR Iceman); Deathlock, a cyborg; and somebody called Nightwatch, who honestly I don’t recall at all (let’s check Wikipedia… oh, lookee here, he’s ANOTHER character who started in Spider-Man and got his own series, only to be cancelled (and killed off) later. I’m starting to see a pattern here… :wink: )

Despite having SO many heroes on their tail, the villains kept getting away, killing dozens of people. (You’d think that Firestar alone could have beaten them all, especially with the symbiote’s vulnerability to fire.) Admittedly, Cletus is a VERY clever villain, who knows how to “play” the heroes. He’s kinda like Marvel’s Joker (in fact, in a Spider-Man/Batman crossover, the villains were Joker and Carnage!) It didn’t help that the heroes had to deal with people like Venom and Morbius, neither of whom is very sociable. Fortunately, Carnage’s “family” started having problems as well, especially with Carrion, who started having a conflict between his real identity and his assumed one. Eventually the heroes DID catch up and beat the villains, though Cletus escaped by covering the body of one his dead victims with a symbiote, making it look like it was him. By the end, only Spider-Man, Venom and Carnage were left in the struggle, and Cletus was defeated and captured again.

My Opinion: Well, this was very much a “let’s gather several of the Hero’s friends and enemies for a big fight!” type of story; you see those in comics and anime often. The villains WERE pretty scary, though, and it was nice to see other street-level heroes join forces with Spider-Man for once (this rarely happens in such a big team). The characterization was better than you’d expect, especially the insane villains’.

It should be noted that similar Carnage-centric stories have happened elsewhere, for example in the 90’s Spider-Man cartoon. A video game was also based on the crossover.

Curious note: Marvel, known for coming up with good ideas and then BEATING THEM TO DEATH, has had plenty more symbiote-powered characters since then, which really takes away from the uniqueness of the concept. Oh, and Eddie Brock has powers AGAIN- now he calls himself “Anti-Venom”. Seriously.

My Rating: Average

Next: Umm, I’ll let you know once I do more research. Think of it as a surprise. :stuck_out_tongue:

All I know about the Maximum Carnage storyline was that it spawned a pretty cool (and really frikkin’ hard) beat-em-up for the SNES. So, I’d say that justifies its existence well enough.

I actually remember playing that. It WAS hard. And fun.

Haha, I remember the game. Wow, that’s been so long ago. Glad to see you got back to doing this, Wil. (Makes for good reading at work!)